I've been in and out of astronomy over the years and now I'm back 'in' - it's a bit like Sunspot cycles, really! Now I'd like to share development of it with you.
The tunnel I'm talking about, being a tad metaphorical, is the camera lens and over the last couple of evenings I've been revisiting astro imaging with digital cameras. Having recently aquired an Olypus E1 I thought it was time I actually read the instruction book and took it through its paces! (I'm an 'engineer' - engineers don't read instruction books....)
Some years back, I've lost count...OK, about 8, I played around with a Olympus OM20 SLR film camera with which I experimented with direct viewing through telephoto lenses, screwing it onto variable telescope lenses and using it in prime focus mode. (Using the camera as the telescope eyepiece). To be honest my enthusiasm was cooled quite quickly due to the limitations - not seeing the results until the film had been developed mainly - and I regrettably let it slip.
With a digital camera able to recall the results immediately, my enthusiasm was reignited, motivated mainly by the Perseids meteors. Why I didn't seriously look into it earlier, I don't know - too lazy, too busy doing other stuff... I don't know. For goodness sake, I had access to my wife's Canon EOS 300 so there was no excuse really. To cut a long story short, I missed photographing the Perseids and was annoyed at that, given that over the course of three days I saw so many beautiful displays, so the next targets will be the Orionids in October... And I WILL have a camera ready.
So what are the main difficulties imaging the night sky? Well, cameras work by letting light fall onto a light-reactive sensor, be that a film or a semiconductor chip. The obvious difficulty with the night sky is that there isn't much light and what there is, you don't necessarily want to see (neighbours' bathroom lights, security lights, street lights etc.) . Consequently you may need to work around problems, gathering as much of the RIGHT light that you can. Of course, the best thing to do is get yourself out into the countryside if possible. But that's not always possible.
So here was I in my back garden with lights going on and off all around me, the sky glowing orange from the north west to the eastern horizons, trying to aquaint myself with the settings on two different cameras.
First, the Canon. I'll be honest, the trickiest thing is setting up the camera the way you want it. I couldn't find the instruction book...
First I found that the EOS won't do Manual mode unless the focuser is also set to manual - makes sense, I suppose, but an automatic override would be nice, instead of it just not working at all. I focussed on Jupiter - note that twisting the focus ring all the way round, takes it too far (can you go past infinity?? Obviously...) so rely on getting the sharpest image here, that you can, then don't touch the ring again!
I set the ISO to 1600 and the exposure to 10" (seconds) and aimed the 50mm lens at the Plough. (What was the aperture? I have no idea, I couldn't work it out.... I know that when the chipped adaptor ring is used, it defaults to F2 - I'll have to follow this question up...)
Anyway, I was moderately surprised by the result - a bit orange and grainy (noise) but at least I had the whole asterism in shot.
I then put the lens cap on and did another 10 second exposure. Why? Ah, the magic of digital photography. Read on, this is important.
When you take exposures of more than a second or so, you tend to get 'noise' building up on the image. It looks like little red dots scattered all over, sometimes you'll get a haze in one corner. Sometimes you'll see some blue dots and occasionally, some green too.
What you are doing with the cap on, is creating a blank image with the same imperfections. These imperfections should be for the most part, virtually identical to the imperfections on your picture. What you will then do when you get indoors after your session, is upload the pictures then edit them.
You'll probably open Paint Shop Pro or some photo editing software like that, then choose an image and a corresponding dark-field image. By a clever bit of manipulation using the Image/Arithmetic/Subtract function, you can effectively deduct the imperfections from your required picture, leaving a very much improved image. Simples :o)
First attempt at the Plough - the stars don't seem very bright and the asterism only just fits in the lens! In fact this is about 23:00hrs BST, the glow is London about 10 miles to the north as the crow flies and I couldn't easily see the top left corner of the trapezium so it didn't come out too badly.
I had a play with different lenses too. I tried a 300mm telephoto which, though it gave good bright stars, was very susceptible to 'trailing' at any exposure above 10 seconds. I also tried an 18mm wide angle. Sadly it didn't seem to capture much light, even at 30 seconds. What was more disappointing was that whilst it was exposing a shot on Cassiopeia, a metor flew right through the middle of the frame and the camera didn't pick it up :o(
Some more experimentation needed here before the Orionids come, methinks...
The Olympus was a nicer camera to use, in many ways, but was very limited by its single lens and the fact that it's only 5.5MegaPixels as compared to the Canon's 8MP. It was easier to set the aperture, exposure (which goes up to 60secs) and ISO and has little features like noise limiting, which I enabled. It's a professional camera but it's a bit outdated now. I think that with a couple of lenses it could be a nice little tool - that was the reason I aquired it after all, so I need to hunt around Ebay for some cheap accessories.
So what did I learn from the exercise? I learnt that it's important to know your equipment inside out, and I don't. But give me a couple more nights and the chance to document some 'best settings' and we'll be ready for the Orionids. Then the Leonids in November... Did I hear they were going to be particularly good this year? That would be nice...!
posted by Greywolf #
22:12 
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